Biography



Photo Credit: Peter Gannushkin

One marker of bassist Michael Formanek’s creativity and versatility is the range of distinguished musicians of several generations he’s worked with. While still a teenager in the 1970s he toured with drummer Tony Williams and saxophonist Joe Henderson; starting in the ’80s he played long stints with Stan Getz, Gerry Mulligan, Fred Hersch and Freddie Hubbard. (As a callback to those days, Formanek recorded with hardbop pianist Freddie Redd in 2013). The bassist has played a pivotal role on New York’s creative jazz scene going back to the ’90s when he notably led his own quintet and played in Tim Berne’s barnstorming quartet Bloodcount. Nowadays Formanek’s in the co-op Thumbscrew with Brooklyn guitarist Mary Halvorson and drummer Tomas Fujiwara.

Formanek is also a composer and leader of various bands. His principal recording and international touring vehicle is his acclaimed quartet with Tim Berne on alto saxophone, Craig Taborn on piano and Gerald Cleaver on drums, which records for ECM; 2010’s The Rub and Spare Change and 2012’s Small Places both earned coveted five-star raves in Down Beat. Formanek writes, and the quartet plays, compositions of great rhythmic sophistication that unfold in a natural sounding way—challenging music the players make sound like lyrical free expression.

His occasional groups include the 18-piece all-star Ensemble Kolossus, roping in many New York improvisers he works with.

Formanek’s other recordings as leader include Wide Open Spaces and Extended Animation for quintet and Low Profile and Nature of the Beast for seven players (all on Enja), and the solo album Am I Bothering You? (Screwgun). Mirage (Clean Feed) is by the occasional improvising trio of Formanek, tenor saxophonist Ellery Eskelin and pedal steel guitarist Susan Alcorn. Thumbscrew’s 2014 debut is on Cuneiform Records.

Michael Formanek has also made dozens of recordings as sideman, for among others Dave Ballou, Tim Berne, Jane Ira Bloom, Dave Burrell, Harold Danko, Marty Ehrlich, Tomas Fujiwara, Gary Thomas and Jack Walrath.

As composer of works for ensembles from duo to mixed jazz and classical orchestra, Michael Formanek has received institutional support from Chamber Music America, the Peabody Conservatory, the Maryland State Arts Council and the Virginia Center for the Creative Arts.

As educator, Formanek teaches bass and jazz history, and leads the jazz orchestra, at Baltimore’s Peabody Conservatory.

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- commissions & awards -

  • Received a 2012 Individual Artist Award from the Maryland State Arts Council in the category Non-Classical Music Composition.
  • Commission from The Peabody Conservatory for a Fanfare to celebrate the grand reopening ceremonies after major renovation in 2004 – An Uncommon Fanfare was premiered in April of 2004
  • Awarded Fellowships by the Virginia Center for the Creative Arts for a residency to compose new work in 2010 and 2011
  • Faculty Appointment to the newly formed Jazz Studies Department at the Peabody Institute of the Johns Hopkins University in 2001 as a limited time faculty, and appointed as full-time faculty member in 2003.
  • Chamber Music America Doris Duke Foundation New Works Encore grant was given to Ars Nova Workshop in Philadelphia to perform The Offbeat Manifesto in May of 2007
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  • Chamber Music America Doris Duke Foundation New Works Commission 2000 – The Offbeat Manifesto was premiered in May of 2001
  • Commission form the Peabody Conservatory to compose a piece for Symphony Orchestra with Jazz Soloists – The Open Book was premiered with the Peabody Concert Orchestra in 2007
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  • Pennsylvania Council on the Arts Grant (1995)
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